Through the Looking Glass of Intimate Friendship and Common Enemies

Anotace: This article examines Sino–Soviet relations in the 1950s through the medium of political cartoons in Manhua and Krokodil, satire magazines published in the People’s Republic of China and the Soviet Union. Images of friendship and enmity produced an intricate narrative about world affairs and the paths of socialism and capitalism. By comparing the stories and visual representations in Krokodil and Manhua, this study underscores the similarities and contradictions existing between the Soviet Union and China in the years before their split. This approach provides an example of two ideological machines working to reflect unexpected shifts in alliances while maintaining a claim on the teleological coherence of socialist development. It also exemplifies the mechanics of visual propaganda under the stress of contradictory policies and purposes.